MiniMax H3-Image 实测：一张图转出四面和俯视，侧面比 Qwen Image 2.1 准

The target image is a front view of the same traditional Chinese study as in <Picture 1>. The camera stands at the middle of the front (south) side of the room at standing eye level and looks straight ahead at the back wall, perfectly centred and level, with a slightly wider lens than <Picture 1>, so that the whole room is visible from the left window wall to the right wall, from the floor to the ceiling beams.

Everything is in the same place as in <Picture 1>: the bookshelves and the large framed landscape painting on the back wall, the console table under the painting, the two standing lanterns, the carved desk in the middle with the chair behind it and the painted runner hanging over its front, the objects on the desk, the tea table with the bonsai and the two straw cushions by the lattice window on the left, the daybed and the small side table on the right, the hanging scroll on the right wall, and the rug on the stone floor.

Every piece of furniture, every object, every material and colour is exactly the same as in <Picture 1>. Same warm afternoon sunlight from the window on the left, casting lattice shadows across the rug, same photorealistic style. No people.

The target image is a back view of the same traditional Chinese study as in <Picture 1>: the camera has turned around 180 degrees. It now stands near the back wall, behind the chair, at standing eye level, and looks toward the front (south) side of the room, the side that is not visible in <Picture 1>.

Because the view is reversed, the lattice window wall with the courtyard, the tea table with the bonsai and the two straw cushions are now on the right side of the frame, and the daybed with its small side table and the hanging scroll are now on the left. In the foreground: the back of the chair with its cushion, and the desk seen from behind, with the same objects on it in reversed order. The rug continues toward the front of the room. The front wall in the background has the same dark carved wood, columns and lattice panels as the rest of the room, with a doorway in the middle.

Every piece of furniture, every object, every material and colour is exactly the same as in <Picture 1>. Same warm afternoon sunlight, now coming from the window on the right, same photorealistic style. No people.

The target image is a left side view of the same traditional Chinese study as in <Picture 1>. The camera stands on the left (west) side of the room, in front of the lattice window wall, at standing eye level, and looks across the room toward the right wall.

The right wall now faces the camera: the daybed with its cushions and throw, the small side table, the hanging scroll and the lattice window on that wall fill the far side of the frame. The back wall with the bookshelves, the painting and the lanterns is now at the left edge of the frame, and the front of the room is at the right edge. In the middle, the carved desk is seen from its side, with the chair on the left side of the desk (toward the back wall) and the painted runner hanging on the right side (toward the front). The rug lies under the desk, and the sunlight from the window behind the camera falls across the floor toward the daybed.

Every piece of furniture, every object, every material and colour is exactly the same as in <Picture 1>. Same warm afternoon light, same photorealistic style. No people.

The target image is a right side view of the same traditional Chinese study as in <Picture 1>. The camera stands on the right (east) side of the room, beside the daybed, at standing eye level, and looks across the room toward the left wall.

The lattice window wall now faces the camera, with the courtyard, the pine tree and the rockery visible through it, and the tea table with the bonsai and the two straw cushions in front of it. The back wall with the bookshelves, the painting and the lanterns is now at the right edge of the frame, and the front of the room is at the left edge. In the middle, the carved desk is seen from its side, with the chair on the right side of the desk (toward the back wall) and the painted runner hanging on the left side (toward the front). The rug lies under the desk, and warm sunlight comes through the window toward the camera.

Every piece of furniture, every object, every material and colour is exactly the same as in <Picture 1>. Same photorealistic style. No people.

The target image is a vertical top-down view of the same traditional Chinese study as in <Picture 1>, as if the ceiling were removed: the camera is high above the middle of the room and looks straight down at the floor, so the whole floor plan of the room is visible.

The back wall with the bookshelves and the console table runs along the top edge of the frame, with the two lanterns standing near it. The lattice window wall is along the left edge, with the tea table, the bonsai and the two round straw cushions next to it. The daybed and the small side table are along the right edge. In the centre, the large rug, and on it the carved desk seen from directly above, with the chair on its upper side (toward the back wall) and the painted runner hanging over its lower side; the objects on the desk are seen from above. Sunlight from the window on the left falls across the floor in lattice-shaped patches.

Every piece of furniture, every object, every material and colour is exactly the same as in <Picture 1>. Same photorealistic style. No people.